In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony. He hoped to find an enchanting paradise, far from the modern metropolis of Paris. However, by the time of Gauguin’s arrival Tahiti had been profoundly altered by French colonization: poverty and sickness were rampant. Still, in his paintings of the island Gauguin included elements of the imaginary, configuring Tahiti as a pre-modern land of leisure. His use of bright, flat, and unrealistic colors and his interest in recovering a “pure” subject, closer to nature, were greatly influential to the next generation of European artists, including the Fauves and German Expressionists.
This entry was posted by Kaworu Nagisa on June 23, 2012 at 12:21 am, and is filed under Undecided Realities. Follow any responses to this post through RSS 2.0.
Both comments and pings are currently closed.